What would be of the architecture if it had not the capacity to geometrize the forms and limit the surfaces? What would poetry be if it had not a metric that could order it?
What is the value of definition from architect’s stroke?
The order is marked by a classic portico contrast the front view with the lack of definition of a steep and irregular terrain that the project does not mean, when the relationship with the straight line that forces and calls to order. The relationship between both genders is disjuncture and reaction, necessary in architectural projects.
“Where there is matter there is geometry”, J. Kepler.